At ‘Caffe Gusto’ (sic) this lunchtime I got a free Croissant with my coffee and drew this boat.
Thinking about submitting a new book for the Embassy Gallery show ‘Textual Healing’. More about that soon.
At ‘Caffe Gusto’ (sic) this lunchtime I got a free Croissant with my coffee and drew this boat.
Thinking about submitting a new book for the Embassy Gallery show ‘Textual Healing’. More about that soon.
coffeebreak today. I’m sure the woman at the cafĂ© must’ve thought I was staring at her.
P.S. It’s the Sand-Reckoner.
I was watching this on YouTube after Saxon posted it on Metafilter. He’s pretty inspiring, but you had to feel sorry for all the Liberty University people who asked questions. It’s not their ballpark, I think, so it was easy for D to show their arguments as irrational.
IMO they’re not wrong, per se, just arguing on premises they have no business to be in.
ship’s sails, by aesop
I’m at home with a cold today. Imagine my joy at finding an unexpected read come through the laetterbox in the form of the Patrick O’Brian book The Far Side of the World. In celebration of this I’ve drawn the ship that usually graces the frontispiece to inform us less nautique readers what the hell Patrick means by a ‘ship’.
In the absence of any patrons to bemuse with my library ways on this cold and wet November night (although my ride home was a marvel of smoothly hissing tyres, reflections of lights and creaking from my leathern carapace as I pedalled sedately home along the river path) I took to drawing as I answered sporadic enquiries on that crossword-puzzle-helpline that is the Reference Library telephone.
Another swift skeleton drawing. I’m unhappy with the repetitiveness of the ‘swift’ pictures in Turndust and I feel that some studies of their skeleton might open up some detail and make the pictures more interesting.
a quick drawing of a swift destined for Turndust as a variation on the several live swifts that are kind of in there as ciphers. This way I can put in some more detail.
The Be Good Tanyas were good, but the venue made it a little difficult to really get into their music. They’ve never struck me as really a public-event sort of band. (Which is to say their music seems to me more introspective and intimate). However, I enjoyed the playing, which was as good as anyone and makes me feel like learning to play the banjo, which probably just goes to expose my ancient Southern roots. I think I’d be pretty happy sittin and pickin on the porch, occaisionally marking the time with tobacco-flavoured ejecta.
Wagamama’s was great. I had a so-called raw juice (carrot, cucumber, tomato, orange and apple) and edamame (steamed green soya beans), and yasai cha han (fried rice with egg, snow peas, mushrooms, sweetcorn, fried tofu and spring onions. accompanied by a bowl of vegetarian miso soup and pickles), with a cold cold Kirin beer. I love Wagamama’s. I always feel that the food has done me good (that’s probably the juice talking). I think I also respond to the aesthetic of the place, which is efficient without being too mind-bogglingly wipe-clean (like a McDonald’s), and the focus seems to be on the food rather than about how Asian it is (despite being prepared by lanky English guys from Fishponds).