Octavo Fika

OF poster

 

Part of Book Week Scotland, Octavo Fika is an open-submission book exhibition that will probably be of interest to book artists. Kalopsia embrace textile as a form of artistic practice, and their interpretation of this apparently includes the ‘textile’ of expression over the passage of a book work. The cross-over isn’t unusual – Helen Douglas’ practice is strongly rooted in her knowledge of and experience of textile working, and the practice of integrating interpenetrating strands of material over a continuous surface fairly begs for textile metaphors, (even though the same sentence just as usefully describes the narrative endeavour). The ‘narrative’ theme here might pull some of those threads together. I’m particularly fond of the fact that this is taking place as part of a larger nationwide event where people can celebrate a lot of different facets of books. (I think the influence of Alistair McLeary’s Book History way of looking at things might be informing the multifaceted approach the Scottish Book Trust are taking…)

Anyway – open entry, part of a big event. I haven’t been able to find out exactly where it’s happening yet (Update; it’s on at The Colour Room,  68 Henderson Row, Stockbridge, Edinburgh Nov 25th-Dec 2nd)

Excerpt from their info below:

“We are looking for textiles, art, graphic design, photography, illustration and written words etc.

The only rules are: It has to be your work, and it have contain a narrative.

The book can be 2 pages, hand-made, mass-produced, a publication, 5000 pages and so on.

The exhibition will take place between November 25th and December 2nd as part of ‘Book Week Scotland’ 2013.

DEADLINE for submissions: Friday September 27th

All submissions are FREE,however, successful submissions will pay a one off charge of £25 (a discount will be given to all past successful submitters, please contact us for further details) which will help go towards the transporting of the books, the renting of the event space.

This is a great opportunity to show your work to a much wider audience and raise your exposure as a creator without having to worry about the any of the difficulties of putting on an exhibition, or of making and transport large scale pieces. All you need to do is send us a book.”

Octavo Fika

Kalopsia contact: info@kalopsia.co.uk

Lisle’s Man

Some materials from a book I worked on some years ago entitled Lisle’s Man. The Lisle in the title is Arthur Plantagenet, Viscount Lisle, who was governor of Calais for many years during the reign of Henry VIII. The man is master John Hussee, the Lisle’s ‘agent, estate manager, and matchless confidant’. Husee it was, who as a private citizen represented the Lisles in their absense at court, dealing with the varied intrigues and demands of the Tudor machine. His role is put best by Richard Holmes:

Husee directs us into the heart of the Lisle letters, which is a theme straight out of Shakespeare’s history plays: the exercise of power. influence, and personal affection in a dangerous world where no one is safe.

…Lisle’s salary as governor of Calais was negligible…what kept him going…was the promise of royal reward: land, gifts, …posts he could assign, and thus receive gifts for himself. Such a system explains a dominant characteristic of Tudor political life: that as wealth and prestige increased, personal security and expectations, being dependent on the King’s favour, grew more tenuous – terrifyingly so. Hence the vital importance of a man like John Husee, the go-between, the intelligencer… the gift-presenter, the manipulator, the man who knows more than his master…

Husee’s shrewdness of observation and political tact became Lisle’s most valuable weapon in the struggle for survival. He knows… the absolute necessity if watching the shadows behind Cromwell. Most of all, he understands his own master’s greatest weakness: to be temperamental… too nice, too anxious not to give offence. This made Lisle especially vulnerable to Cromwell, who had perfected the art of pressuring his subordinates by unspoken threats, nuances of displeasure, meaningful silences, or sudden tiny cold splinters or criticism – his notorious ‘sharp’ letters – that slid beneath the skin like glass…

In one celebrated instance Husee actually confronted Cromwell with one of these sharp letters to Lisle, and boldly informed the lord privy seal ‘that if his lordship did not the sooner write some other loving letter unto you [Lisle] that I stood in doubt that your Lordship might take such conceit [imaginary fear] thereon that might perchance put you in hazard of some disease or peril of your life.’ One can almost see Cromwell’s narrow lips – in the famous Holbein portrait – draw back in a disarming, deadly smile: ‘he answered and said that he thought your Lordship was wiser than to take it after any such manner, for whatsoever he wrote he was and would remain your Lordships sincere and very friend.’

from Richard Holmes:
 Lord Lisle and the Tudor Nixon Tapes
First published in Harper’s magazine,
New York, August, 1982

The Lisle letters really are a fantastically inspiring resource. I’d love to revisit some of these ideas with another attempt at the book.